Bibliography

Bibliography
The bibliography is still work in progress and during the thesis books will be added or deleted.

Design
Alessi, A. (1998). The dream factory. Cologne: Könemann.
Antonelli, P. (2005) Humble masterpieces: everyday marvels of design. New York: Harper Collins.
Antonelli, P. (2005) Safe : design takes on risk. New York: Museum of Modern Art.
Art & design monographs (1994). Alessi : the design factory. London: Academy Editions.
Marsack, R. (1997). AGI's designers of influence / Essays on design 1. London: Booth-Clibborn Editions.
Michl, J. (2002). On seeing design as redesign: An exploration of a neglected problem in Design education.Scandinavia Journal of Design History.
Michl, J. (2006). Without a godlike designer no designerlike God. Unpublished
Norman, D. (1998). The design of everyday things. London: MIT Press.
Lawson, B. (2006). How designers think: the design process demystified. Oxford: Architectural Press.
Paris, T. (2005). Made in Italy: il design degli italiani. Rome: Designpress.
Papanek, V. (1972). Design for the real world. London : Thames and Hudson.
Petroski, H. (1994). The evolution of useful things. New York: Vintage Books.
Petroski, H. (2003). Small things considered: why there is no perfect design. New York: Alferd A. Knopf.
Pye, D. (1969). The nature of design. London : Studio Vista.
Vegesack A., Oldiges J., Bullivant L. (1997). Kid size : the material world of childhood / Vitra Design Museum. Milano : Skira.

Aesthetics
Burke, E. (1990). A philosophical enquiry into the origin of our ideas of the sublime and beautiful [1757]. Oxford New York: Oxford University Press.
Pye, D. (1978). The nature and aesthetics of design. London : Barrie & Jenkins.
Smith, A. (1982).The theory of moral sentiments. Indianapolis: LibertyClassics.

Philosophy- Cultural Studies - Psychology
Berlyne, D. E. (1960). Conflict, arousal, and curiosity. New York: McGraw-Hill.
Berlyne, D. E. (1974). Studies in the new experimental aesthetics: steps toward an objective psychology of aesthetic appreciation. Washington D. C.: Hemisphere.
Berlyne, D. E. (1971). Aesthetics and psychobiology. New York: Appleon-Century-Crofts.
Csikszrntmihalyi, M., Rochberg-Halton, E. (1981). The meaning of things: Domestic symbols and the self. Cambridge: Cambridge University Press.
International Design Forum Ulm 1989 (1990) . Cultural identity and design: conference 1989. Berlin: Ernst+Sohn .
Norman, D. (2004). Emotional design : why we love (or hate) everyday things. N.Y. : Basic Books
Rodgers, P., Brodhust, L., Hepburn, D. (2005). Crossing design boundaries. London : Taylor & Francis

Semantics
Chandler, D. (2002). Semiotics: the basics. London: Routledge.
Foucault, M. (2002). The order of things: an archaeology of the human sciences. London: Routledge.
Vihma, S. (1995). Products as representations : a semiotic and aesthetic study of design products. Helsinki : University of Art and Design Helsinki UIAH.
Vihma, S. (1992). Objects and images: studies in design and advertising. Helsinki : University of Art and Design Helsinki UIAH.

Form - Perception
Alexander, C. (1964). Notes on the synthesis of form. Cambridge, Mass: Harvard University Press.
Arnheim, R. (1974). Art and visual perception: a psychology of the creative eye. Berkeley: University of California Press.
Gregory, R.L. (1974). Concepts and mechanisms of perception. London: Duckworth.
Gregory, R.L. (1966). Eye and Brain: the psychology of seeing. London: World University Library.
Gregory, R.L. (1995). The Artful eye. Oxford: Oxford University Press.
Ittelson, W. (1968). Ames demonstration in perception. New York: Hafner.
Piaget, J. (1971) The child’s conception of the World. London: Routledge & Kegan Paul Ltd.
Thompson, D. (1966). On growth and form. Cambridge: Cambridge University Press.
Thornton, P. (1998). Form & decoration : innovation in the decorative arts, 1470-1870. London : Weidenfeld & Nicolson.
Whittick, A. (1971). Symbols : signs and their meaning and uses in design. London : Hill.
Wolfe, J.M. (1976). The Mind’s eye. New York: Freeman. (Scientific American, Inc.)

Design, Architecture and Art History
Bayer, P., Noel R. (2003) The Elements of design: the development of design and stylistic elements from the Renaissance to the postmodern era. London : Mitchell Beazley
Byars, M. (2004). The Design Encyclopedia. New York : Museum of Modern Art.
Ferebee, A. (1970). A history of design from the victorian era to the present : a survey of the modern style in architecture, interior design, industrial design, graphic design and photography. New York : Van Nostrand.
Gimpel, Jean. (1991). Against art and artists. revised British ed. Edinburgh: Polygon. (Earlier title: The cult of art).
Gombrich, E.H. (2006) .The story of art .Phaidon.
Nelson, G. (1995). The design of modern design. Gambridge, Mass. : MIT Press.
Phaidon design (2006). Phaidon design classics. London : Phaidon Press.
Thackara, J. (1988). Design after modernism: beyond the object. London: Thames and Hudson.

Biology – Anthropology
Montagu, A. (1981). Growing young. McGraw-Hill.
Lionni Leo. (1977). Parallel botany. New York : Alfred A. Knopf.
Collins M.W., Atherton M.A. and Bryant J.A. (2005) .Nature and design. Southampton : WIT Press

Visual Communication and Data
Klanten, R. (2008). Data flow: visualising information in graphic design. Berlin: Gestalten.
Tufte, E. (2006). Beautiful Evidence. Cheshire, Conn. : Graphic Press LLC
Tufte, E. (2001). The visual display of quantitative information. Cheshire, Conn. : Graphic Press LLC
Tufte, E. (1997). Visual explanations: images and quantities, evidence and narrative. Cheshire, Conn. : Graphic Press LLC